{"id":129,"date":"2008-07-07T07:00:19","date_gmt":"2008-07-07T06:00:19","guid":{"rendered":"http:\/\/www.ar2com.de\/radiofavela-blog\/?p=129"},"modified":"2010-07-23T15:13:44","modified_gmt":"2010-07-23T14:13:44","slug":"william-forsythe","status":"publish","type":"post","link":"https:\/\/www.ar2com.de\/radiofavela-blog\/william-forsythe\/","title":{"rendered":"&#8220;Yes &#8211; We can&#8217;t&#8221; by William Forsythe"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.ar2com.de\/_img\/blog\/080707_forsythe.jpg\" alt=\"forsythe\" \/><br \/>\n1 mat + 3 mikes with stand + 9 piles + 15 dancers = &#8216;Yes &#8211; We can&#8217;t&#8217;<\/p>\n<p>Choreograph William Forsythe provoked an imaginary voyage of ill communication in me when I saw his new performance &#8216;Yes &#8211; We can&#8217;t&#8217;. In this episode I will send you my reactions to the performance.<br \/>\nAs well I will show some interferences between architecture and dance &#8211; still in his understanding.<br \/>\nFor me he is a creator of modern ballett or maybe better a translator of ballett&#8217;s essence from antique to modern world.<\/p>\n<p>[display_podcast]<br \/>\n<small>related links<br \/>\nA <a href=\"http:\/\/www.dresden-fernsehen.de\/default.aspx?ID=1988&#038;showNews=195292\" target=\"_new\">TV feature<\/a> from Dresden Fernsehen on the performance &#8216;Yes &#8211; We can&#8217;t&#8217;<br \/>\nA <a href=\"http:\/\/ondemand-mp3.dradio.de\/file\/dradio\/2008\/03\/06\/dlf_20080306_1752_92559dfd.mp3\" target=\"_new\" title=\"in German\">Radiofeature <\/a> from Deutschlandfunk about the Premiere in Hellerau by Dresden, Germany.<br \/>\nA <a href=\"http:\/\/www.abc.net.au\/arts\/performance\/stories\/s430960.htm\" target=\"_new\" title=\"in English\">transcripted interview with William Forsythe<\/a> from the Australian National Arts Talk. You get an idea of his character.<br \/>\nAn interview with Antony Rizzi, a dancer of his company, you will find in ar2com&#8217;s <a href=\"http:\/\/www.ar2com.de\/radiofavela-blog\/category\/just-for-your-eyes\/\">imPULStanz series<\/a>.<br \/>\n<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My reaction to the performance and some interferences between architecture and dance &#8211; still in Forsythe&#8217; understanding.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[333],"tags":[316,313,315,47,88,317,42,314,312],"class_list":["post-129","post","type-post","status-publish","format-standard","hentry","category-dance-ar2com","tag-ballett","tag-civic-ballet","tag-confrontations","tag-dance","tag-dresden","tag-frankfurt","tag-movements","tag-urban-projects","tag-william-forsythe"],"_links":{"self":[{"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/posts\/129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":2,"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/posts\/129\/revisions"}],"predecessor-version":[{"id":1050,"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/posts\/129\/revisions\/1050"}],"wp:attachment":[{"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/media?parent=129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/categories?post=129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ar2com.de\/radiofavela-blog\/wp-json\/wp\/v2\/tags?post=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}